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Film students came. Historians came. An old projectionist from a demolished single-screen cinema in Lucknow came. He found Mughal-e-Azam (1960) in its original technicolor—not the colorized version, but the real one. He cried. Platforms with minimal pop-up ads make browsing and

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The MPAA sent a cease-and-desist. Ananya sent back a single sentence: "You don't own culture. You just rent it out."