While the book is a treasure trove of fascinating anecdotes and behind-the-scenes insights, its most compelling theme is Daisley's long, acrimonious, and very public battle for credit and royalties with Ozzy and Sharon Osbourne. This is the "facts" at the core of "For Facts Sake."
is not just about Ozzy. It is a full‑blown tour through the golden age of hard rock, told by a man who was in the room when many of its greatest moments took shape. Daisley draws on a detailed diary he has kept since 1976, which gives the book an immediacy and authenticity that few rock memoirs can match.
For years fans begged Daisley to write his memoir, but it wasn’t until after more than four decades in the music industry that he finally sat down to put his story on paper. The result was , an autobiography first published in August 2013. The book runs 325–336 pages and measures a hefty 11.5” x 7.75”, weighing nearly two and a half pounds. It includes more than 460 photographs – most of them in colour, many never seen before – drawn from Daisley’s personal archives. Unlike many celebrity memoirs, Daisley wrote every word himself, with no ghost‑writer or co‑author.
In a particularly vindictive move that Daisley recounts in "For Facts Sake," Ozzy's camp, in an attempt to scrub the original lineup from history, had the original bass and drum tracks on reissues of Blizzard of Ozz and Diary of a Madman re-recorded by other musicians (Robert Trujillo and Mike Bordin). bob daisley for facts sake pdf 1 new
The reason? Royalties. Daisley and Kerslake claimed they were never properly paid for their songwriting contributions. This launched a decades-long legal war that Daisley eventually won in the Supreme Court of New South Wales (Australia) in 2002. But the war was never truly over. It was merely the prelude to the document known as "For Facts Sake."
Daisley, however, has remained more distant. In interviews as recent as April 2026, he continued to express pain over the lack of proper credit, saying that his “final wish concerning his involvement with Ozzy would be to see proper accreditation on Diary of a Madman ”. He has also expressed bitterness about being excluded from Ozzy’s final major live events, pointing out that “thousands of people” around the world still sing the lyrics he helped write, while he receives nothing.
Daisley does not pull punches. He alleges that Sharon Osbourne systematically dismantled the original band’s credits to regain control of Ozzy’s legacy. He claims she manipulated royalty statements, threatened venues to prevent him from playing, and deliberately erased him and Lee Kerslake from history because they sided with Randy Rhoads’ mother (Delores Rhoads) regarding estate rights. These pages are the most heavily redacted in the PDF. While the book is a treasure trove of
The book offers a poignant and respectful look at the late guitar virtuoso Randy Rhoads. Daisley shares anecdotes that humanize the guitarist, showing his dedication to classical music, his frustration with the "devil worship" image of the band, and his plans to leave rock and roll to study classical guitar at a university—a dream cut short by his tragic death in 1982.
Bob Daisley’s is more than an autobiography. It is a testament to a musician who helped define the sound of classic heavy metal, yet who spent most of his career fighting for the basic recognition that he was due. Whether you are a die‑hard Ozzy fan, a student of rock history, or simply someone who believes that the people who create art deserve to be credited and paid for their work, this book offers an invaluable – and often shocking – insider’s view of the music industry. In Daisley’s own words, “This is the story of my life as a musician and songwriter in a continuing career that so far spans more than forty‑five years. I have written every word of it myself.”.
, his interest in Buddhist meditation, and the legal battles within the music industry. Core Story Arcs For Facts Sake: Bob Daisley: 9780992276003 - Amazon.com Daisley draws on a detailed diary he has
In 2002, the rhythm tracks recorded by Daisley and Kerslake on Blizzard of Ozz and Diary of a Madman were re-recorded by Robert Trujillo and Mike Bordin. Daisley’s book meticulously documents the emotional and financial fallout of this decision, which management claimed was due to royalty disputes. The original tracks were later restored for the 30th-anniversary editions, but the scars remained. Meticulous Record-Keeping
“I wrote those lyrics in Ozzy’s living room while he watched TV. He never changed a word.” — Guitar World , 2011
Bob Daisley’s autobiography, "For Facts Sake," offers an in-depth account of his career and the internal dynamics of bands like Rainbow, Black Sabbath, and Ozzy Osbourne, with updated editions featuring personal archives and detailed tour history. The book serves as a primary source for understanding the songwriting, recording conflicts, and legal disputes surrounding the original Ozzy Osbourne lineup. Purchase the book through the Official Bob Daisley Shopify Store.
Bob Daisley did something during his touring days that few of his peers managed to do: he kept a detailed daily diary. While other musicians struggled to remember the events of the previous evening, Daisley was quietly documenting dates, studio sessions, conversations, and financial agreements.