(takes the stopwatch) Ready when you are.
Realistic but not memorable. Elise has a few standout lines ("I didn't raise you. I just kept you alive.") but most exchanges are functional rather than poetic.
The notes emphasize that the audience must first feel an overwhelming sense of maternal love. Initially, "the mother's vocal dynamics should be filled with tenderness and warmth". However, the piece is designed to take "a much darker tone" as it progresses, requiring the performer to modulate their delivery significantly. good mother elise sharron full verified script
(softly) I don’t always. Some days I feel like I’m holding the world on a string. But when I see you both—your dreams, your smiles—I know it’s worth every sleepless night.
For educators, the piece serves as a powerful tool for discussing the complexities of morality, the unreliability of memory, and the social issue of child abuse. However, its mature content means it is typically restricted to older high school students and college-level performers. (takes the stopwatch) Ready when you are
Without access to the verified draft, we advise treating any synopsis found online as unconfirmed unless directly sourced from the author.
Search for the exact logline of Good Mother . If the script you have matches a logline posted publicly by an account linked to Elise Sharron, that strengthens verification. I just kept you alive
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The monologue " Good Mother " by playwright Elise Sharron has become a popular, high-stakes choice for actors and performers, often appearing in dramatic, intense auditions. The piece, frequently shared on social media, explores themes of maternal guilt and the pressure of societal expectations, forcing performers to deliver a powerful, emotional arc.
It is possible that Good Mother by Elise Sharron is:
LUCY: Being a good mother doesn't mean being perfect. It means being present and loving.