: It is a "superwide" open matte version, meaning it reveals the top and bottom of the frame that were matted (cropped) for the 1.85:1 theatrical release.
The most visually striking feature is the presentation. Jurassic Park was shot using the Super 35 film format, which exposes a larger image area on the 35mm negative (approximately 1.33:1 or a 4:3 shape). For the theatrical release, the top and bottom were matted (cropped) to create a standard widescreen 1.85:1 ratio.
If you find a file labeled correctly, here are the technical specifications you should look for to ensure you have the genuine "Superwide" scan:
: This refers to the aspect ratio and presentation style. The Superwide format captures a wider field of view compared to traditional widescreen formats, while "open matte" means that the entire frame of the film, without any masking, is presented. This can result in a slightly different composition compared to versions that use a more conventional aspect ratio. : It is a "superwide" open matte version,
This specific version represents the holy grail of film preservation. It bridges the gap between commercial home video releases and the raw, nostalgic texture of a 1993 theatrical screening. What is an "Open Matte" Presentation?
Because the frame is uncropped, you can occasionally see "goofs" like boom mics or cables that were never meant for the final 1.85:1 presentation. Where to Find the Project
This fan-made 35mm scan preserves that original audio track. It's a crucial component of the experience, offering a raw, powerful, and historically significant soundscape that often differs from the remixed tracks found on modern Blu-rays and streaming services. It’s the sound of Jurassic Park as audiences in 1993 would have heard it. For the theatrical release, the top and bottom
When Steven Spielberg and cinematographer Dean Cundey shot Jurassic Park , they utilized standard 35mm film. However, they filmed using an "open matte" technique, specifically choosing a 1.37:1 or 1.66:1 aspect ratio on the physical film negative, intending to crop it horizontally for theatrical release.
Below is a ready-to-use write-up, styled for a private tracker, fan restoration forum (e.g., Original Trilogy, FanRes), or usenet / release announcement.
This quote is the key. The primary link isn't a single URL. It's a centered around specific film restoration forums and private trackers like MySpleen, where 35mm scans of The Lost World and Jurassic Park III have also appeared. A major hub for discussion and project updates is the Fanrestore forum (fanrestore.com). This is the digital archaeological dig site where preservationists share progress on massive scanning projects, like the in-progress "Jurassic Park 35mm 6.5K scan + 14 trailers" . This can result in a slightly different composition
In many shots, you will see parts of the set that were never intended to be visible. This includes lighting rigs, the edges of dinosaur animatronics, microphone booms, and even crew members accidentally caught in the frame.
The “Jurassic Park 35mm 1080p version Cinema DTS Superwide Open Matte” is more than just a fan edit; it is a . It preserves the specific, gritty, and organic qualities of a 1993 film print—complete with its original dynamic DTS audio, authentic color grading, and the revealing open matte composition that shows the full Super 35 frame.
An version reveals the visual data at the top and bottom of the frame that was hidden in the theater.