Anvi smiled, and the candle in her eye guttered. “Someone has to draw me a way. But not with technical perfection. Everyone who’s tried used the school’s rules: easing curves, squash and stretch, follow-through. They make beautiful bridges. But they’re bridges to nowhere. Because I’m not a character. I’m a feeling .”
The course primarily utilizes Adobe Photoshop , with some workflows extending into Adobe Illustrator .
It’s an intermediate course. You should already have a basic handle on Photoshop and the general motion design process. school of motion illustration for motion top
The core philosophy of the course is that is vastly different from illustration for print. When drawing for motion, you must consider:
Stop relying on generic vector sites and start creating custom, branded assets that stand out. Anvi smiled, and the candle in her eye guttered
The is a structured, multi-week intensive led by renowned creative director Sarah Beth Morgan. It features highly structured lessons combined with 13 real-world portfolio projects.
Elara never told anyone exactly what happened in the Cupola. But her work changed. Her bouncing balls had personalities. Her walk cycles had secrets. And every now then, late at night, she’d catch a flicker in the corner of her eye—a girl with candlelight in her gaze, walking through a door that was always, just slightly, still opening. Everyone who’s tried used the school’s rules: easing
Disclaimer: This article is an informational deep dive. Course curricula change; please visit the official School of Motion website for current enrollment dates and syllabus specifics.
Drawing human forms, first without detail and then adding expressions and character. Final Project:
A great motion piece starts with a great storyboard. Mastering illustration allows you to communicate complex ideas through composition and mood before a single keyframe is set. The School of Motion Advantage